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A Moment in the Night
Then the night comes in and I embrace it,
unseen, unaccountable, the dark air
standing about me and all that is mine
like an invisible cloak; and at last
time stops. With a little expectation,
I call on you but you start at my voice
as if I have returned from the deadlands
with the head of the monster in my bag
and a gold necklace taken from its lair.
‘You are too late,’ you say, holding the door.
And before was too soon. It is still
in the street beneath the night. How many
ways for walking can there be? A thousand.
My legs are heavy but the stars are out.
Scenting the Other
And sometimes you would step right up to me,
giving nothing away, and look—and go
back in. All around, the noises had slept
for a moment; I awoke and was free
but still wearing a thin hunger. Too slow,
these dull reflections, too late; yet you kept
me outside like a dog…if I could be
stronger, still I would rest in a dark, low
kennel, whining, unable to accept
my lot, though unable each time to see
we share in deciding the way things go
and yet I cannot speak. So I am left
by my own shadow, wincing at the light.
You walk to the headland in black and white.
Alone
You, unaccompanied—you insisted—
you hear yourself but it is hard to see.
At night, there is no help for it. Darkness
hides the sun but not the coil of the worm.
You remove your shoes. A coin is ready.
Now I remember last summer with joy
that is stunted with regret for time not
acted on, enlarged by imagining.
There is an open door with a steep drop.
You laugh when I lead you to the edge. Deep
is the fall and no returning, you think,
as you plunge with me calling out after
and again, the curse for the left-behind
in the living air that sings your echo.
Alan Dunnett has worked as a theatre director and as an acting tutor at several drama schools. “Shot in the Head,” informed by Narratives from Colombians Displaced by Violence, is in The Very Edge, Flying Ketchup Press, 2020. He wrote/voiced Interrogation, Best Experimental Film at the Verona International Film Festival 2019. Other poems have appeared in The Crank, Ink Sweat and Tears, The New European, Skylight 47, Stand, The Recusant, and The Rialto. A collection, A Third Colour, was published by Culture Matters in 2018.