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pollack paints ‘reflection of the big dipper’
the sun too bright on saturday afternoon
and nothing i say worth
believing
listen
i love you
i’m afraid
all of these ideas
that become empty shells
the air cold where it
touches my fingers
shadows curved sharply up
the sides of houses
and down all of the meaningless streets
i’ve ever lived on
and what happens when every country
has been carefully defined?
why do we care if
certain babies are left to die in
windowless rooms?
i’ve got fences to build
holes to dig and nails to hammer
entire days to waste
holding objects in my scraped
and bleeding hands
and does it matter if the war is lost
when it’s fought 5000 miles away?
there are those who claim it does
there are instances when
i’m mistaken for my father
when all i can taste are his ashes
the phone ringing in
another part of the house while i
stumble drunkenly across the
bedroom
my friends dead or disappeared
my letters returned unopened
notebook after notebook
filled with words scribbled down and
then crossed out
not poems but prayers
not god but religion
small moments of illumination
that mean nothing in the end
because there is no such thing as a post-war poem
all faith is
sickness
all pain
passes
just
mother
fucking
confusion
every
where
in the real world
but jesus, the
thought of writing poetry
i mean, seriously
these fuckers are chopping the
hands off of newborn babies
they are raping
twelve year old girls in the
name of mom and apple pie
are starting wars in the
name of god and calling themselves
righteous, and no one is
stepping forward to assassinate them
no one is burning the
cities to the ground
and we laugh at the idea of
eating someone else’s shit
but then we do it anyway
movement
suicide note clutched in
his hand, but he lives
a foreign land
a futile war
imagine an entire generation
of babies born dead
or deformed
imagine your left hand gone
your right one down the
pants of
another man’s wife
voices on the sidewalk outside
at three in the morning
gun in the dresser drawer
i was six or seven, standing
there in my pajamas at
the kitchen door watching the
neighbors’ house burn down
this is all i remember
twenty six and waking up
in a stranger’s bed
forty three and afraid that
everything worth writing
about was in my past
and he says he loves his
wife and he says he loves his
daughter, and then the fucker
stops breathing
coughs up blood & pretty lies
such an easy shot to make
with the gun
jammed hard inside his mouth
poem for the lost and the missing in a year of election
fear of sitting naked in the
spotlight without answers to any
of the questions
fear of death by drowning
some california surfer boy in a
black leather jacket, manson’s
snarling face tattooed across his chest,
dogs ripping through the flesh to
get to the treasure
some strung-out saint with a
fuck-me smile
laughs when the car goes off
the bridge, but
only because she’s not in it
only because the priests are on
their knees in front of the
firing squad, and if you’re going to be
hooked on something,
it may as well be power
listen
you can waste your whole life
quoting christ and still deserve a
knife in your throat
we can feed each other broken
glass and the flesh of unborn
children and call it love, and this is
how the present becomes the future
this is why all buildings will
eventually collapse, why
all civilizations are destined to fail
your words lose all meaning when
your mouth is full of shit
no one you’ve ever voted for
gives a damn
whether you live or die
the suicide you swore you’d never be
is no better than the
one you’re destined to become
John Sweet sends greetings from the rural wastelands of upstate NY. He is a firm believer in writing as catharsis, and in the continuous search for an unattainable and constantly evolving absolute truth. His latest poetry collections include A Flag on Fire is a Song of Hope (2019 Scars Publications) and A Dead Man, Either Way (2020 Kung Fu Treachery Press).