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Part I: Remain Silent
sitting at a covered coffee table
together with three other women
like draped dolls | protected
by the pram | they
don´t talk | don´t look | don´t laugh
Hello auntie | my words
intersect the #silence
like wafts of mists | the smell of
disinfectant | coffe | and excrements
passes through the room | no sight
of a nurse or an assistant | my eyes
find hold at the cup | nobody can
lead it to the own mouth | except me
sitting here for so many years
without complaining | a single word
embarrassed | I take the cup in my hand
the coffee has long cooled | because
you don´t look at me | I grab your hand
I’m uncomfortable |so much #stillness
the hand is warm—but without life
no twitching | no pulling | no re-acting
with this hand, you can do what ever you want
put it on the side arms of the doll´s chair
fold it for praying into each other
pull it on the thighs
no care | what happens to the body
I take farewell | although she is not dead yet
the body here | the soul vanished for the most part
on the graveyard oft he living | five women
are sitting at the covered coffee table
every wheelchair | shelter and imprisonment
everything within reach but unattainable yet
there is nothing left to say | so
we remain silent |
Part II: Misery, a Promise
the body |swallowed by the bed
the eyes | straight vorward to the door
as if you would wait | for a very long
time for someone | that doesn´t come
now I am here
the hair | a practical short hair cut
gray | smooth | and heavily combed back
everything perfectly | arranged
you lay there in self-embrace
the age-spotted left hand | holding
the right shoulder
buried | the domicile of spirit
dilapidated the home | body
I have to remember | that you
are | you were once
with a clear mind and a sharpened tongue
#sister
## need to go to the loo
the emergency call of a resident | shouts
through the house | like the nurse in the hallway
###busy right now
misery is a promise | here
unexpectedly you turn your head | rusty
open your eyes and speak | for a split
second | with toneless voice | the name of
my mother
and again | you fall behind | to yourself |
on the way home | accompanies me | the
smell of excrements |
Part III: The Death Has Unlocked Himself
your glance | caught in himself
the dying of the past | not enough for #fate
the wall holds onto | the good of yesterday
the photos of the loved ones on the left
at that time | three sisters, one brother
the man who | soon left the wife | as a widow
the daughter whose dying only became
bearable | by forgetting
how it all fades away…
#love
#dignity
#life
the death sentence spoken | but
not fully enforced
the time hums a funeral singsong | in every
melody resonates solace | So I sing for you
songs of the old ones | full of #melancholia
and indeed | nostalgia wakes you | up
from self-sinking
on your right side | flashes a tiny raising
of an | ironical smile
almost imperceptibly | your hand presses itself
against my | Let it go at that, child!
fate continues to work on | receiving the
transience | the death has
unlocked himself |
Dörthe Huth is a German author of several books that revolve around all that is good for the soul. In addition to this, her poems, essays, and short stories have been published in numerous anthologies and literary magazines. She studied German, Psychology, and Computer Linguistics, and earned an M.A. degree in 1995.